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For men to unveil the Medusa is usually to confront the dread of taking a look at the feminine sexual organs" (1992). Freud's equation of Medusa with the vagina is important because it presents the vagina as an organ effective at castrating the male penis: "in its horrifying component [Medusa] would resemble [...] the castrating genitals, the terrifying vagina dentata" (Barbara Creed, 1993).

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The prefix 'cu' is really an expression of "quintessential femineity" (Eric Partridge, 1961), confirming 'cunt' as a truly feminine time period. The synonymy in between 'cu' and femininity was in position even prior to the event of penned language: "while in the unwritten prehistoric Indo-European [...] languages 'cu' or 'koo' was a phrase foundation expressing 'feminine', 'fecund' and connected notions" (Tony Thorne, 1990).

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[...] Launch was unattainable until eventually the girl were positioned underneath chloroform. The swollen and livid penis exhibited two strangulation-furrows". In Every situation, anaesthetic administered to the woman evidently comfortable the vaginal muscles and produced the penis. Walter Stoeckel (1933) recognised penis captivus for a bona fide health-related affliction: "Equally as in animals (pet dogs), In addition there are situations of so-known as 'penis captivus' in human beings". He gave a physiological clarification for the phenomenon, detailing that "[vaginal] contractions can abruptly become spasms which imprison the penis and bring about it to swell up excessively". On the other hand, he concluded alternatively moralistically: "The circumstances encountered all anxious illicit coitus, carried out furtively (driving bushes or standing in doorways). [...] The party evokes ridicule, sneers, and scorn in bystanders and naturally places These afflicted into a shocking posture from which they will normally be unveiled only by a narcosis of the girl. Even then it really is usually even now tricky to free the thickly swollen and dim-purple penis from its imprisonment". FW Scanzoni (1870) determined the 'constrictor cunni' given that the muscle mass that contracts all through penis captivus: "At this time of orgiastic excitation, there usually are quite obvious speedy and strong contractions. Several observations have proven that, in selected Obviously recognized situations, these may possibly turn into so rigorous as being agonizing for each person and lady. They may conclude in a spasm on the constrictor cunni which once in a while lasts alternatively long and will make the withdrawal of your penis extremely hard".

The omnipotence of this motif of the devouring vagina has also survived millennia, with several cultures' development mythology imbued with castrating and deadly photos" (Catherine Blackledge, 2003).

The motif has also been represented in additional abstract manifestations. It truly is indirectly personified with the Etruscan demoness Culsu (who carries scissors) along with the Alawan goddess Kunapipi (who swallows men along with her womb), equally of whom have names etymologically linked to 'cunt'. Pablo Picasso painted a woman holding a tray of sea urchins, With all the creatures as representations on the vagina dentata. A sea urchin in Un Chien Andalou has also been interpreted like a vagina dentata symbol. In L'Etoile De Mer, a vagina dentata is represented by a starfish which wraps itself close to a sea urchin. Even a Ford Edsel motor vehicle grille is likened to a vagina dentata, in Steven Bayley's guide Girl As Style and design.

Thomas Moore, in a humorous small book, Tom Crib’s Memorial to Congress, 1819, states, “The Gipsy language, except for this sort of conditions as relate to their particular peculiar customs, differs but little from your standard Flash or Cant language.” But this was magnifying the value of the alliance. Moore, we should Imagine, understood nothing from the Gipsy tongue other than the few Cant phrases put in to the Learn More Here mouths in the beggars in Beaumont and Fletcher’s Comedy from the Beggar’s Bush, and Ben Jonson’s Masque on the Gipsies Metamorphosed,—consequently his confounding Cant with Gipsy speech, and appealing into the Glossary of Cant for therefore-termed “Gipsy” terms at the end of the Lifetime of Bamfylde Moore Carew, to bear him out in his assertion. Even now his remark bears A lot real truth, and proof of This might are actually found long ago if any scholar experienced taken the trouble to look at the “barbarous jargon of Cant,” and to obtain as opposed it with Gipsy speech. George Borrow, in his[ten] Account of the Gipsies in Spain, So eloquently concludes his next quantity; speaking on the connexion of your Gipsies with Europeans, he claims:—“Nonetheless from this short-term association ended up made two results; European fraud became sharpened by coming into contact with Asiatic craft; whilst European tongues, by imperceptible levels, grew to become recruited with different terms (some of them wonderfully expressive), many of that have extended been stumbling-blocks to the philologist, who, although stigmatizing them as phrases of mere vulgar invention, or of not known origin, has become significantly from dreaming that somewhat more study or reflection might have proved their affinity on the Sclavonic, Persian, or Romaic, Or maybe on the mysterious item of his veneration, the Sanscrit, the sacred tongue in the palm-covered regions of Ind; phrases at first launched into Europe by objects way too depressing to occupy to get a minute his lettered attention—the despised denizens of your tents of Roma.

The reductive utilization of 'cunt' as being a term of unparalleled abuse displays each a dread in the vagina and a misogynist hatred of it. This hatred manifests alone in ingrained cultural representations of the vagina as an abject organ: "Offered representations with the vagina as smelly, dirty, and potentially diseased, It's not at all shocking that Girls's genitals certainly are a source of shame or humiliation [and so are] a part in their bodies several women won't be able to bear to even look at" (Virginia Braun and Sue Wilkinson, 2001). Slang terms which include 'dirtbox', 'claptrap'/'clap-entice', 'siffed-up cunt-hole', 'pox-ridden see this site cunt', 'burning bower', 'burning passage', 'filthy lolly', 'firelock', 'fireplace', and 'cemetary gates' also reflect this, equating the vagina with condition (as 'clap', 'siff', and 'fireplace' confer with venereal infections), as does this example of underground pornographic prose: "I retained licking and sucking on her cunt While I understood it had been riddled Along with the deadly curse of syphilis [as] I buried myself in Ilena's stinky snatch" (Ramona, 1998).

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Zoe Williams criticises "Folks who object for the word cunt" (2001): "Recover from it. Because it tends to make a sweet Anglo-Saxon explosive sounds doesn't mean It is really any worse than, say, willy". Her Perspective to the term is arguably much more realistic than idealistic: pop over to this web-site "It really is just extremely orthodox and po-confronted to say, "I'm gonna go ahead and take term 'cunt' and I'm only gonna use it to signify 'wonderful, flowering symbol of my womanhod'" (Pete Woods, 2007). Lisa Jardine "was once offended because of the phrase cunt, although not anymore [...] For some time it has been fantastic to call the male genitalia by names, although not the female kinds. It should improve" (Richard Brooks, 1999). Likewise, Natasha Richardson is "not offended by ['cunt'] in any respect" (Andrew Goldman, 1999) and Kate Moss is shocked that "People today don't love the phrase".

Essentially the most more helpful hints outspoken anti-porn feminist is Andrea Dworkin, who sights 'cunt' as "by far the most reductive phrase" and sees porn as "the debasing of women" (1981). In contrast, Deborah Orr contends that "exposure of feminine bodies has been transmogrified into an expression of feminine independence and electrical power" (2000).

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